Showing posts with label michael. Show all posts
Showing posts with label michael. Show all posts

Tuesday, August 21, 2012

Exclusive: Solomon Kane Alt Poster Debut

In anticipation of the video-on-demand release of Michael J. Bassett's long-awaited Solomon Kane movie, IGN has a groovy new alternative poster for the film from Radius-TWC. Check out the image below:

Based on the books by pulp-era writer and Conan the Barbarian creator Robert E. Howard, the story centers on Solomon Kane, "a brutally efficient 16th Century killing machine. Armed with his signature pistols, cutlass and rapier, he and his men unleash their bloodlust as they fight for England in war after war on all continents." The film stars James Purefoy in the title role.

Solomon Kane will be available on VOD this Friday, August 24, and hits theaters Sept. 28.


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Monday, August 20, 2012

New Michael J. Fox Sitcom Coming to NBC

NBC has just signed a deal to produce a new single-camera comedy that will bring Michael J. Fox back to weekly TV. While the project was sought after by FOX, ABC and CBS (who came the closest among the other contenders), it was Peacock chief Robert Greenblatt who eventually won over Fox, who will produce and star.

As Vulture reports, the big selling point from Greenblatt was that he gave the project a full 22-episode order -- Not many shows get an order to go to series before they shoot a pilot, and 22-episodes is an especially rare upfront commitment. Current plans are to film the Sony Pictures Television series in New York, which also happens to be where Fox worked on Spin City. The half-hour show will be a family comedy loosely inspired by Fox's own life, presumably incorporating his real-life battle with Parkinson's disease.

While Fox's project is now targeted for fall 2013, it's likely that the pilot will be shot well in advance of that, taking advantage of the longer lead time.

The still untitled comedy is created by Cougar Town writer Sam Laybourne and the pilot will be directed by Will Gluck (Easy A).

Max Nicholson is a writer for IGN, and he desperately seeks your approval. Show him some love on Twitter and IGN.


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Halloween 5: The Revenge of Michael Myers Blu-ray Review

On the heels of the success of Halloween 4, which had successfully revitalized the dormant franchise, Halloween 5: The Revenge of Michael Myers hit theaters just one year later. Unfortunately though, it was a huge step down in quality, delivering a very subpar and frustrating installment of the series.

Where Halloween 4 had managed to get the elements right for a crowd-pleasing entry in the series that didn't insult the audience, Revenge was not nearly as satisfying. First off was the decision to essentially undo the wonderful twist ending to the fourth film: while these events are not ignored, they are quickly made to be far less severe than they appeared and their ramifications are ultimately not dealt with. It was a real copout and letdown for audiences who were very excited to see where the series was going to go, after 4 seemed to strongly hint that some big changes were in store.

Halloween 4: The Return of Michael Myers Blu-ray Review

Once again, Michael is pursuing his young niece, Jamie (Danielle Harris) and Harris is easily the best thing about Halloween 5. In an unnecessary move, Jamie has been rendered mute as the film begins, but Harris again brings a lot of gravity and seriousness to her role as this very traumatized little girl, who once again finds Uncle Michael trying to kill her on a night most kids have a ton of fun on. Also back again is Dr. Loomis (the late Donald Pleasance), here perhaps at his most manic and unhinged; in a few scenes, Jamie seems in danger from Loomis too, who seems like he's finally really lost it a bit, having pursued Michael all these years.

On the other hand, the film is a total mess when it comes to introducing new characters. Tina (Wendy Kaplan) takes up a ton of screen time - a flighty friend of Jamie's family who finds herself in the midst of Michael's new killing spree. The character is meant to be a funky, offbeat girl who dances to the beat of her own drum, in her own, lovable way. However, she comes off as insufferably annoying, with her little noises and forced quirks. And then there are the "comic relief" cops, who seem to have been transplanted in from Police Academy, and come complete with nauseating sound effects and wacky music.

Where Halloween 4 (mostly) had characters behave more appropriately and proactively, Halloween 5 is firmly entrenched in the cliché horror movie realm where the characters do everything movies like this are mocked for, continually putting themselves in needless danger. Meanwhile, a well-liked returning character is dispatched early on here, and not only does it feel like a questionable decision, but then it's not used in any interesting way, nor even mentioned or discovered by anyone else for the next hour of the film.

Then there's the incredibly random and out of nowhere inclusion of the Man in Black, a mysterious stranger who watches from afar throughout the film, clearly having a connection to Michael that raises many questions the film gives no answers to. Halloween 5 features a huge cliffhanger, which while nowhere near as powerful as Halloween 4's conclusion, definitely left the fans anxiously awaiting what would happen next. Sadly the answers Halloween 6 delivered six year later were some of the worst, most laughable decisions possible. Of course, you don't want to hold another film against it, but Halloween 5 is a poor film by itself.

There are a couple of nicely done sequences, most notably a rather scary and claustrophobic scene in which Jamie is trapped inside a laundry chute, with Michael doing everything he can to pull or stab her out of it. But more often, the film just doesn't hit the mark and coming off of Halloween 4, it's easy to note how little the film works by comparison.

Halloween 5, for all its faults, was always a rather well-shot and often “pretty” example of a slasher movie, and the new, first-ever Blu-ray release of The Revenge of Michael Myers definitely delivers a strong transfer. Even better looking than the already-impressive 2006 DVD, Halloween 5’s transfer is very clean and clear and the best this movie has ever been, visually. The audio isn’t as impressive, but is serviceable.

The one brand new extra feature is a new commentary track from Don Shanks, who played Michael Myers in the film, and Justin Beahm (editor-in-chief of halloweenmovies.com and author of the upcoming Halloween: The Complete Authorized History). Beahm’s presence helps the commentary immensely, as he asks Shanks a lot of questions about his time on the set, although there are moments where the actor’s memory and/or area of expertise can’t fully answer a question. Still, it’s an informative commentary. [Note: The packaging incorrectly says the new commentary is with Dominique Othenin-Girard and Beahm.]

Ported over from the 2006 DVD is an earlier commentary from Danielle Harris, Jeffrey Landman (he played Jamie’s young friend, Billy) and director Dominique Othenin-Girard. As weak as a film as Halloween 5 is, this is a great commentary track, with Landman providing plenty of great stories (this guy has an impressive memory) and Harris and Othenin-Girard engaging in a friendly but in-depth conversation, as she asks him some rather pointed questions about some of his decisions on the film that it’s clear she wasn’t quite thrilled with.

Also ported over from the 2006 DVD is a rather random assortment of behind-the-scenes footage, though the “Inside Halloween 5” featurette from both the 2001 and 2006 DVDs is not on this release. However, the two commentaries provided are more than sufficient when it comes to discussing the making of this film from several key players.

Halloween 5: The Revenge of Michael Myers will be released on Blu-ray on Tuesday, August 21st.

Eric Goldman is Executive Editor of IGN TV. You can follow him on Twitter and IGN.


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Tuesday, August 7, 2012

The Wire Star in Robocop Negotiations

The Wire and Boardwalk Empire actor Michael Kenneth Williams is apparently in negotiations to star in Sony and MGM's remake of Robocop.

According to The Hollywood Reporter, the actor - currently playing racketeer Chalky White on Boardwalk Empire - is in talks to appear as Joel Kinnamen's cop partner.

The movie is due to begin filming in Toronto this September, with Kinnamen as the titular cop, Hugh Laurie as the villain, and Samuel L. Jackson, Gary Oldman, Abbie Cornish, Jay Baruchel and Jackie Earle Haley also starring.

Brazilian Jose Padilha - who previously helmed the brilliant Elite Squad - is directing the film, which will hit screens in 2013.

Luke Karmali is IGN's UK Editorial Assistant. You too can revel in mediocrity by following him on IGN and on Twitter.


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Friday, August 3, 2012

Making a He-Man Movie Work

Given how massively successful Michael Bay's Transformers movies have been, it's no surprise that various studios are pursuing big-budget, live-action revivals of classic 1980s toy lines. G.I. Joe is another recent success, though its sequel has perplexingly been delayed until next year. Despite this delay, it's clear that Sony sees something in G.I. Joe: Retaliation director Jon Chu. Earlier this week we learned that Chu has been tapped to direct Sony's live-action He-Man film.

Can He-Man find the same big screen success the Autobots and Joes have? As popular as the Masters of the Universe franchise was in the '80s, the previous live-action movie didn't do He-Man any favors. Is it possible to do right by the character in live action? We say yes, and we have a few suggestions for how Chu can dust off the most powerful man in the universe for a new generation.

Blend Fantasy and Science Fiction

You want to know what the problem was with the first He-Man movie? Well, it's hard to narrow it down to just one, but one of its more significant missteps was that it tried so very hard to be Star Wars. Suddenly He-Man, Teela, and Man-at-Arms were freedom-fighting rebels seeking to free Eternia from the clutches of a scary dude in a black cape. All that kooky technology and architecture from the animated series and comics degenerated into generic sci-fi scenery. He-Man fought most of his battles with a blaster, not his sword or rippling biceps.

Yes, the He-Man franchise is more than a little inspired by the likes of Star Wars, Conan the Barbarian, and Jack Kirby's Fourth World comics, but that blend of influences results in something more unique and memorable than what unfolded on screen in 1987. Eternia is a strange place that mixes science fiction and fantasy in equal measure. Its residents wield advanced gadgets and soar through the clouds on hovercraft, yet they also dress like they're attending the local Renaissance fair. Most of them wear fur underwear outside their tights, as if they were prehistoric superheroes. The planet is crawling with dragons, monsters, and ancient demons. In short, there's no reason for a He-Man movie to feel so familiar and redundant.

This time around, we want the movie to celebrate the unique visual trappings and style of the source material. It shouldn't fall too far on either side of the sci-fi/fantasy spectrum. Nor should the movie attempt to be a gritty, realistic take on the mythos. There's plenty of room for violence and darkness in Eternia, but Eternia is also a bombastic place full of colorful characters. There's nothing realistic or plausible about any of it. The film shouldn't descend into Flash Gordon levels of camp, but nor should it pretend to be something it isn't.

The Most Powerful Man in the Universe

1987's Masters of the Universe featured Dolph Lundgren as He-Man. Physically, he fit the part well enough. But Lundgren was poorly suited to play the dual role of the burly He-Man and the bumbling Prince Adam. Perhaps it was for the best that the movie didn't even attempt to work that dynamic into the mix.

This time around, we want to see the filmmakers cast an actor who can convincingly play both Adam and He-Man. Digital effects have progressed to the point where it wouldn't be any great challenge to enhance the actor's physique for the He-Man scenes, a la Xerxes in 300. Perhaps even the reverse approach for the Adam scenes, a la Captain America. This time around, charisma and screen presence are more important than muscle mass. As with Superman's Clark Kent persona, Prince Adam is a way for viewers to identify with He-Man and provide him with more personal ties.

That said, it is possible to ditch Adam entirely depending what direction Chu and Sony want to take the film. Before the first animated series defined the He-Man mythos, the early mini-comics packed in with the figures presented He-Man as the leader of a barbarian tribe who possessed one half of the mythical Sword of Power (Skeletor being the owner of the other). Here is where the Conan inspiration was most apparent. That's another possible angle to pursue, but the result would probably be less mass market-friendly than Sony is aiming for.

We also want to see He-Man live up to his reputation as “the most powerful man in the universe” for once. The original animated series was pretty limited in what it could depict as far as violent action, but at least He-Man was prone to juggling boulders and smashing robots with his bare hands. The film, on the other hand, barely conveyed the sense that He-Man was any stronger and more powerful than your average action hero. When he finally held aloft his magic sword, there was no awesome transformation sequence, just a brief fight with Skeletor. The new movie needs to present He-Man as a Hulk or Superman-level hero and deliver action sequences that take advantage of his abilities. At the end of the day, He-Man is really just a superhero in an unusual setting, and the recent slate of superhero movies should serve as direct inspiration.

A real human being and a real hero? Works for us.

And who should play Adam/He-Man? We've felt for a while now that Ryan Gosling is overdue for some sort of major superhero role. No doubt the thought of Gosling decked out in fur underwear will help bring in a heavier female crowd than the average superhero film. But given that Chu is directing, we suspect that G.I. Joe star Channing Tatum may emerge as a front-runner. A He-Man movie with a slightly more comedic tone would probably suit him well given his recent successes in 21 Jump Street and Magic Mike.

Stick to Eternia

While the previous He-Man movie felt too similar to Star Wars in many respects, it also took an unnecessary cue from Star Trek IV. Just as that movie sent the Enterprise crew hurtling back to 20th Century San Francisco, Masters of the Universe plucked He-Man and friends away from Eternia and dropped them onto Earth for a significant chunk of the film. It's one thing to resort to that sort of plot twist in your third sequel, but for a would-be franchise that was just getting its start, ignoring the Eternia setting was unforgivable.

The only reason to showcase Earth at all is to explore Queen Marlena's past as an Earthling astronaut and her unexpected crash-landing on Eternia. The previous film was intended to acknowledge this plot point. Early script drafts even featured the reveal of a NASA space probe and American flag in the bowels of Castle Grayskull, suggesting that Eternians actually hailed from Earth originally. All of this adds an interesting wrinkle to He-Man's origins, but it may be superfluous for a debut film. As mentioned already, Eternia is an interesting, diverse planet. There are more than enough locales to keep the plot humming along without having to venture off-world.

Caste Grayskull certainly needs to be a focal point of the film. In pretty much any incarnation of the franchise, Castle Grayskull is a source of many secrets and powers, and He-Man is the hero called upon to defend those secrets from villains like Skeletor. What exact power Grayskull contains and how its origins and its guardian, the Sorceress, tie into He-Man's story tends to vary. But regardless, it's a crucial piece of the mythology.

Grayskull did appear in the last movie, though it wasn't quite the wondrous spectacle it might have been. What we didn't see were the actual kingdom of Eternia, its royal family, or Skeletor's domain in Snake Mountain. This movie needs to do a better job of establishing the scope and feel of He-Man's world and the people he's trying to defend. Meanwhile, Snake Mountain can serve as a dark counterpoint to Grayskull and the tranquility of Randor's kingdom.

No doubt the omission of all these familiar locations and elements in the 1987 film was heavily motivated by a lack of budget. He-Man is too colorful and bombastic a franchise to tackle in half-measures. This time around, Sony needs to put enough financial support behind the project for it to truly thrive.

A Larger Cast

If you've ever tried to be a serious collector of Master of the Universe action figures, you know that the franchise is home to dozens and dozens of characters aside from just He-Man and Skeletor. Sadly, only a small handful of these supporting players made it into the previous film. He-Man was joined by Man-at-Arms and Teela, but not even Orko or Battle Cat were deemed worthy enough to buddy up with Dolph. Instead, these faithful sidekicks were replaced by Gwildor. Wait, who?

Exactly.

As far as we're concerned, there's no reason this time for He-Man not to ride into battle atop a ferocious, green tiger and accompanied by a spell-casting, floating dwarf. The trick is in capturing the cooler qualities of these sidekicks and ditching some of the 1980's-era goofiness associated with them. For instance, we don't particularly need Battle Cat to talk, and we can certainly do without his bumbling alter ego, Cringer. The 2002 animated series set the right example by rendering Cringer mute and toning down his cowardly side. Similarly, we want to see less slapstick from Orko and more magical prowess.

Ideally, Teela and her father will have more central roles this time. If the He-Man/Adam dynamic is akin to Superman/Clark Kent, then Teela is the Lois Lane. Her simultaneous disgust at Adam's foppish behavior and attraction to the brawny, heroic He-Man could lend a nice touch of romantic tension to the plot.

We also hope to see He-Man's parents. King Randor and Queen Marlena. Again, Eternia was far too generic and lifeless a setting last time around. We need to see more of its residents and more of He-Man's civilian life as Prince Adam. Whether the movie brings in the more colorful He-Man allies – Ram-Man, Fisto, Zodac, etc. - is up to the filmmakers, but whatever the case, we hope to see the vast supporting cast put to better use.

Fearsome Villains

Perhaps the only thing the 1987 movie did right was casting Frank Langella as Skeletor. In both the original animated series and The New Adventures of He-Man, Skeletor was little more than a bumbling antagonist. He'd hatch a plan, and He-Man would foil it, call him “Bone-brain” or something similarly cheesy, and send him packing until the following Saturday. For a guy with dark magic powers and a skull for a face, Skeletor was about as far from scary as possible.

Conversely, Langella's Skeletor was actually fairly creepy and menacing. He had something of an Emperor Palpatine quality to him, which is one case where the Star Wars similarities paid off. Those are qualities we need to see from the villain in this new movie. We're tempted to say that Langella should reprise his role, if only so he can fulfill the promise he made in the post-credits scene, but that's probably not going to happen. Still, we want a version of Skeletor that inspires fear and dread, not laughter. We want a villain who offers a convincing threat to a guy who can shatter mountains with his fists. No matter how silly or serious the general tone of the movie, Skeletor himself should be dark and imposing.

Looking to the 2002 animated series for inspiration again, it may help the movie to build the ties between Skeletor and King Randor. Right off the bat, that series provided a full origin for Skeletor. He was revealed to be Keldor – a skilled fighter, sorcerer, and revolutionary who was driven insane after his face was scorched by acid. The original animated series also suggested that Keldor was Randor's brother. That plot twist could pave the way for a Hamlet-style showdown between family members. It also lends a more personal touch to the conflict beyond Skeletor's typical desire for power.

Any attempt to explore Skeletor's origin should also lay the groundwork for his onetime mentor and master – Hordak. Hordak's presence is best saved for a sequel, but there's no reason the first movie can't get the ball rolling. Another good choice for future villains is King Hiss and the Snake Men. This group of villains were recurring foes throughout the final season of the 2002 animated series. That series never had the chance to properly wrap up that conflict, so seeing a live-action He-Man film tackle the Snake Men would be a nice consolation prize.

To reiterate our main point, the He-Man franchise is an inherently goofy one. We think it's possible for He-Man to find the same sort of success in Hollywood that other '80s mainstays like Transformers and G.I. Joe have. But success isn't going to come by taking an overly dark and serious approach to the source material and ignoring the fun elements. He-Man offers a challenging blend of fantasy, science fiction, and adventure that's waiting for the proper director to do right by the franchise. We can only hope Jon Chu is that director.

Jesse is a writer for IGN Comics and various other IGN channels and a lifelong fan of He-Man. Follow Jesse on Twitter, or find him on IGN.


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