Showing posts with label weekend. Show all posts
Showing posts with label weekend. Show all posts

Wednesday, August 29, 2012

FrightFest the 13th - Five of the Best

So FrightFest happened at the weekend, with the good, the bad and the ugly of the horror film industry descending on the Empire Cinema in London’s Leicester Square to shock and scare thousands of gore-hounds.

The weekend was a resounding success, but if you couldn’t make it down, the following are five of the best flicks that played (alongside the brilliant Sinister, which we previously reviewed here).

Sleep Tight

My favourite film of the festival, Sleep Tight is less an out-and-out horror and more a dark, psychological thriller in the tradition of Hitchcock’s very best. Luis Tosar delivers a grandstanding performance as Cesar, a quiet doorman working at an upscale Barcelona apartment. But below that unassuming surface, Cesar is something of a monster, creeping into his most beautiful tenant’s room at night and doing… well you’ll just have to watch the movie to find out, but rest assured it’s suitably sick and twisted.

V/H/S

Horror anthologies tend to be a mixed bag, and V/H/S is no different, though when it’s scary, it’s bloody terrifying. The wrap-around story finds a group of unpleasant pranksters breaking into a supposedly deserted house to retrieve a VHS tape, and while there they find footage that makes up the rest of the movie. The likes of Adam Wingard, Ti West and Joe Swanberg direct, and the film features the first chiller to tell its story purely through Skype. The undoubted highlight is a very novel twist on the devil worshipping sub-genre.

Berbarian Sound Studio

I’m not even going to pretend I understood this one, though while the vague plotting is frustrating, the bizarre sound and imagery stays with you long after the credits have rolled. Hunger Games star Toby Jones plays Gilderoy, a shy and retiring sound engineer invited to Italy to work on horror flick The Equestrian Vortex. But things turn strange as soon as he arrives at the titular sound studio, with life imitating art as the horror bleeds from the screen and into his life. As Gilderoy endeavours to retain his sanity, the film too starts to lose the plot, but it all looks beautiful, and as an homage to Italian Giallo, it's spot on.

Grabbers

So three serious choices, but what about something a little more light-hearted? Cockney’s vs. Zombies went down well with the FrightFest crowd, but for me Irish effort Grabbers narrowly edged the East End pensioners out. Playing like a cross between Tremors and Whisky Galore, the film stars Richard Coyle as a disillusioned Garda with a drink problem who is lazily seeing out his years in a sleepy coastal town. But when an alien invasion hits, Coyle’s character is forced to step up to the plate, no-more-so than when a scientist discovers that the aliens are allergic to humans with a high blood alcohol level. As ridiculous as it is entertaining, Grabbers is perfect midnight movie fare.

American Mary

Jen and Sylvia Soska – the directors of Dead Hooker in a Trunk – return with what may have been the most talked-about film at the festival. Ginger Snaps star Katherine Isabelle plays Mary Mason, a medical student who enters the shady underground world of body modification in search of a quick buck, and soon finds it taking a terrible toll on her own psyche. Brutal, gripping and genuinely horrifying, American Mary is the kind of film that FrightFest was created for, and should be sought out at the earliest opportunity.

Chris Tilly is the Entertainment Editor for IGN and is finding it hard to sleep after all that horror. His idle chit-chat can be found on both Twitter and MyIGN.


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Sunday, August 26, 2012

Expendables 2 Runs Over Premium Rush at Box Office

As expected, The Expendables 2 remained the box office champ for the second weekend in a row. This was a particularly anemic weekend at the domestic box office, where none of Hollywood's new releases cracked $10 million.

The Joseph Gordon-Levitt bike thriller Premium Rush was dead on arrival, debuting near the bottom of the Top 10. The biggest box office surprise was the anti-Obama indie documentary 2016: Obama's America, which only played in a third of the cinemas as Hollywood's new releases.

Here are the weekend estimates via Rentrak:

  1. The Expendables 2 $13.5 million
  2. The Bourne Legacy $9.3 million
  3. ParaNorman $8.5 million
  4. The Campaign $7.4 million
  5. The Dark Knight Rises $7.2 million
  6. The Odd Life of Timothy Green $7.1 million
  7. Premium Rush $6.3 million
  8. 2016: Obama's America $6.2 million
  9. Hope Springs $6 million
  10. Hit and Run $4.7 million

The long delayed horror flick The Apparition debuted in 12th place with $3 million, but it was only playing in 810 locations.

Listen to Keepin' It Reel to find out how we did with our box office predictions!


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Star Wars: The Clone Wars - Exclusive Season 5 Republic Commando Action Scene

Straight from its debut during the big Star Wars: The Clone Wars panel at Star Wars Celebration VI this weekend, we’ve got the exclusive online debut for you of a new scene from Season 5 of the hit animated series.

The Clone Wars: What to Expect in Season 5

Back in Season 3, fans were incredibly excited by the first appearance on the series of the video game-created Republic Commandos – though it was basically a cameo, in the midst of a dialogue-driven scene.

But in Season 5, we’re going to finally see at least one Republic Commando in action. This gentleman’s name is Gregor, and as the clip shows, he’s got a group of droids he’s working in tandem with, including R2-D2 himself. As we learned at The Clone Wars panel, Artoo and these droids are tasked with infiltrating the separatists to get a crucial encryption code, and along the way, they meet up with Gregor. While the specifics on his history and involvement in the storyline have yet to be revealed, you can see in the following clip that his skills in battle become crucial to this mission's success.

Star Wars: The Clone Wars Season 5 premieres Saturday, September 29th at 9:30am in the show’s new timeslot.

For more info on Season 5, including new inclusions to the series taken from both the films and the expanded universe, check out my full report on The Clone Wars panel from Star Wars Celebration VI.


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Star Wars: Attack of the Clones 3D Preview Footage Impresses

Lucasfilm is continuing with 3D conversions and rereleases of the Star Wars saga and this weekend at Star Wars Celebration VI, the first footage was shown from Star Wars: Episode II – Attack of the Clones 3D.

I was among those who was not impressed by the conversion of The Phantom Menace. It didn’t include that ugly, off-putting look that cheaply done conversions like Clash of the Titans have, but it also didn’t really impress as 3D – and it was hard not to wonder if it was just an innate limitation when it comes to converting old movies that were never intended to be in 3D.

However, based on what was shown at Celebration, the 3D in Attack of the Clones is a marked improvement. We were shown a long sizzle reel for the film, taking us through the movie via short clips, which showed off the 3D to an admirable extent.

In the opening sequence of the Naboo cruiser arriving on Coruscant, the ship truly seemed to be coming out of the side of the screen. And there was a lot of cool 3D visuals in the footage we saw of Anakin and Obi-Wan’s speeder chase through Coruscant – especially when Anakin leapt from the speeder down towards Zam Wesell, and Anakin himself appeared to be a physically present figure, falling away from the viewer into the distance.

I was also impressed by the waves on Kamino, which looked incredibly lifelike and ready to splash onto the audience in the establishing shots of the water-covered planet.

Some of the scenes from we saw weren’t quite as notable. The Droid Factory bit and the Yoda/Dooku lightsaber battle both looked fine, but unremarkable, from a 3D perspective. Still, overall, the sequences we saw from the 3D version really stood out and seemed like a giant step up from Phantom Menace.

ILM’s Dennis Muren (who worked on all six Star Wars films) and John Knoll (who worked on the Special Editions and the prequels) discussed the conversion process and how meticulous and time-consuming it was - about a year-long in total for each film. It involved going through the entire film and separating the elements and working to make sure the 3D looked correct and gave objects the proper amount of depth. In some cases, the shift in perspective in a scene has led to new digital work having to be done. An example was shown from the end of Attack of the Clones, as the 3D meant we were looking at Palpatine, Bail Organa and the other politicians looking down at the Clone Troopers from a slightly different angle, leaving blank spaces on the background which needed to be filled in, using the original matte paintings and backgrounds.

Since this whole process involves going back into a lot of the digital elements, Knoll admitted, “We might have archived things a bit differently if we knew we were coming back to it,” noting with Phantom Menace, they were dealing with elements from “13, 14 years ago. The backups only last so long. Sometimes the priorities on what you back up change over the time.”

Knoll said the process had been easier on Attack of the Clones than Phantom Menace, because, "The newer the film is the easier it is to go into the archives and recover things.”

That makes a lot of sense and probably accounts for some of the differences in the 3D visuals for the films, and hints at Revenge of the Sith 3D looking great too.

It’s less comforting in regards to the original trilogy, which obviously are much older films and lacking in as many digital elements that can be separated as easily. Still, if anyone can pull it off, it would be ILM.

Discussing why he felt it made sense to convert Star Wars into 3D, Knoll said, “The cool thing about 3D is it’s immersive,” noting it helped make you feel “You are there." He added, “What better universe would you want to have that feeling with than Star Wars?”

No release date has been announced for Attack of the Clones 3D, thought it seems likely it will be around the same time as the February release date The Phantom Menace 3D had this year.


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Sunday, August 19, 2012

The Expendables 2 Tops the Box Office

The star-studded action sequel The Expendables 2 opened atop the weekend box office, bumping last weekend's champ The Bourne Legacy to second place. The Bourne Legacy fell 55% from its opening last weekend for a current domestic cume of $69.6 million. Newcomers ParaNorman and Sparkle, the latter featuring the final screen performance of the late Whitney Houston, both debuted in the Top 5.

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Here are the weekend estimates via Rentrak:

1. The Expendables 2 $28.8 million

2. The Bourne Legacy $17 million

3. ParaNorman $14 million

4. The Campaign $13.4 million

5. Sparkle $12 million

6. The Dark Knight Rises $11.1 million

7. The Odd Life of Timothy Green $10.9 million

8. Hope Springs $9.1 million

9. Diary of a Wimpy Kid: Dog Days $3.9 million

10. Total Recall $3.5 million

Listen to Keepin' It Reel to find out how we did with our box office predictions!


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